Category Archives: Sports and Events

Cuba (Part 5) Club Tropicana

Another in a seemingly-never-ending series of my pictures from Cuba. 

 

Remember  I-Love-Lucy’s Cuban-born husband Ricky Ricardo?  Ricky’s 1950s New York nightclub, the Tropicana, was named for and patterned after the real and original Tropicana in an upscale part of Havana.  Barry Manilow could tout the fictional Copacabana only as “the hottest spot north of Havana,” because there was nothing hotter than Havana itself.  Back in the 50s, Marlon Brando (in real life and in Guys and Dolls) was whisking his love interest off to Havana for an evening of spicy, glitzy tropical entertainment.  Back then, the Tropicana was the most glamorous nightclub in the most exciting city in the hemisphere.

The Tropicana’s proprietors were promptly “interned” by Castro after he took power, but the Tropicana lives on.  Today the casino is gone and the crowd has more European tourists than chic movie stars, but the show is great and the showgirls still look just like the ones in the pictures from the pre-Revolution heyday.  It’s an icon I wasn’t about to miss.  You can tell by some of the photo angles that my seat was approximately one inch from the edge of the stage.  Which made for some interesting (if sometimes PG13-rated) pictures.

Since I get to control what goes on this site, you won’t be viewing any of the pictures of me dancing with a showgirl near the end of the show.  My crew of travel buddies all ducked and pointed to me when one of the dancers stepped off the stage in search of a dance partner.  Hey, the joke’s on them:  How many Americans can say they’ve danced at the real Tropicana?!?

 

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Skip back to Cuba (Part 4) Kings of Cohiba

Mardis Gras 2012

It’s Fat Tuesday, and you’ll be relieved to know that I have been successfully evacuated from New Orleans.

Mardis Gras festivities center around parades – usually 3 or 4 parades each day – each of which is put on by a New Orleans area “krewe.”  Krewes are like fraternities for grown-ups (using the latter term loosely).  A little like the Shriners, except that their primary mission is just to throw one great big bash (including a parade) each year.  If this sounds like an odd or shallow mission, bear in mind that the Mardis Gras celebration is arguably the single most important part of the culture and the economy of New Orleans.  Don’t get me wrong:  Mardis Gras is not for the faint of heart.  You’ll see some things you were not expecting to see, and a few things you’d rather not see.  But once you learn to navigate the terrain, you’re part of a unique American and the Southern tradition.

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The picture just above is my friend Shane.  Shane is a member of a krewe called Bacchus, which means Shane dons a mask and a goofy costume and rides a parade float, throwing beads.  The Bacchus parade is not quite on the scale of the Rose Parade, but it’s closer than you might think. Each year, he invites 30 or 40 or 50 of his closest friends (mostly couples — a fully-coed and mostly-civilized crowd) to join him in New Orleans.  This was my eighth consecutive year.  Shane always brings a truckload (literally) of those enormous, gaudy, ridiculous strings of beads, so that we can all walk around town handing them out all weekend.  (The stereotype that Mardis Gras beads all go to young ladies who, uh, ‘flash’ for them is 99% incorrect.  The beads go to little kids who come out to see parades, to groups of grandmas in town for the weekend – to pretty much anybody who’ll smile and chat for a bit.)  Shane loves to come across total strangers walking around town with ‘his’ beads on.

Several of the parades have a big gala or “ball” at the end of the parade.  The Bacchus krewe’s ball is a black-tie, long-gown event with about 10,000 guests.  As someone observed this year, it’s like a gigantic tailgate party in tuxedos. The highlight of the ball itself is that the parade actually comes right through the middle of the party – with beads flying everywhere.  The guy in the King costume in the pictures below is Will Ferrell, the comedian; he was the Mardis Gras King of Bacchus.

The Bacchus event is always the Sunday before Mardis Gras (Fat Tuesday).  Fat Tuesday, of course, is the day before Ash Wednesday, the start of Lent.  Ash Wednesday is forty days (not counting Sundays) before Easter.  Easter is the first Sunday after the night of first full moon after the first day of Spring (which is usually, but not always, Passover).  So I love it when people ask “When is Bacchus this year?” because I can tell them “It’s the Sunday before the Tuesday that’s just before the Wednesday that’s 40 days (not counting Sundays) before the first Sunday after the first full moon after the first day of spring – at about 7:30p.m.

The street scenes in the pictures are mostly Bourbon Street.  The park with the horse statue is Jackson Square (named for then-General and later-President Andrew Jackson, a hero of the Battle of New Orleans). During the parades, I enjoyed taking pictures of the band kids more than anything — so much so that I’m giving those pictures a page of their own.  Obviously, the trumpeter shown in the daylight shot above is no kid – he’s a “pro,” if you can use that term for someone who hangs out in a park and plays the theme from Rocky when somebody throws a dollar in his trumpet case.  Only in New Orleans do the majority of trumpet players pooch their cheeks out like that.

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Mardis Gras Bands 2012

 

As I mention in my main Mardis Gras post, some of the best parts of Mardis Gras parades are the New Orleans area high school bands.  The best ones are often from the mostly-black high schools.   I started trying to get some interesting pictures of some of the band members as they marched by.  Remember:  I’m a long-time band nerd myself.  These groups had an amazing number of twirlers, pom poms, cheerleaders, drum majors, rifle carriers, sword bearers and everything else.  Good to see that band was apparently considered “cool” at these schools.  I sure thought they were.

The two pictures with several kids acting a little crazy was the culmination of a “duel” of sorts between two big New Orleans bands.  The two bands set up in an intersection, facing one another, and took turns doing their best to outplay their rivals.  They were both great — amazingly so for high school bands who had just finished three-hour parades.  Toward the end, one group ran forward to taunt the other.  I was standing right between the two groups — right in the middle of the craziness.  You can see the New Orleans police standing there as if to keep the peace, but it was all in good fun.

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Fiestas Tipicas Nacionales

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“Tipicas” usually means “typical,” but as it’s used in the name of this festival, it means “picturesque; full of local color; traditional;” which is a pretty good description.  The main event is one-third rodeo, one-third Mexican bullfight, and one-third pure chaos.

The cowboy bullriders (montedors) are just T-shirt-clad teenagers, but the whole town packs into the “plaza” to watch.  The grandstands (graderias) are a makeshift wooden circle built in the middle of town just for this event.  Some areas have poles supporting a rusty sheet metal roof; a few parts have a thatched (palm-leaf) roof.   Lots of folks just crawl up under these bleachers (without buying a ticket) and peek out from under people’s feet.  There is absolutely nothing about any of it that would be OSHA-compliant.

Each session starts out like a rodeo bull ride – the worked-up bull storms out of the chute, trying to rid itself of the hombre on its shoulders.  This rarely took more than a couple of seconds.    The difference is that instead of a couple of professional life-saving rodeo “clowns” like a rodeo, here there are maybe 200 locals in the arena (toredos improvisados), eager to chase and be chased by the bull for five to ten minutes following each ride.  A good percentage of the folks down there in harm’s way are tipsy at best (surprise!).  The blue-shirted, rope-slinging lasadores were the “pros” on hand to get the bull out of the plaza when it was time for the next rider.  Though the first few pictures look pretty scary, that guy got up and ran away just fine.  In fact, I don’t think anybody (and certainly none of the bulls) was hurt.  The pictures turned out okay, considering they all had to be taken from my seat on the eighth row behind several poles.

There was a big street festival outside, focused mostly on local foods, drink, dancing and (what else?) marimba playing.  Every street corner had one or two of those huge three-man marimbas (wooden xylophones), which are apparently a big tradition in this town (Santa Cruz, Guanacaste, Costa Rica).  There are two statues in the town square, and one of them is a marimba player, if that tells you anything.  Sometimes a singer or a drummer would join in.  It sure made things festive.  I also had some of the best street-vendor pork-on-a-stick you’ll ever run across.  Best of all, everybody seemed to like having their picture taken, and seemed glad to have outsiders see their traditions.  “Fiestas Tipicas Nacionales”:  I think it also means, “Gringos welcome”  (though there were only a handful of gringos visible in town).  Maybe next year I’ll earn my stripes as a toredo improvisado and let somebody else take the pictures.

Fat Chuck’s Revenge

Today was my first-ever mountain bike race.  I even bought a (one-day) racing license.  Ned Barnett made me do it; it gave him one more opportunity to demonstrate his biking superiority over me.  The race was called “Fat Chuck’s Revenge” — named after the toughest section of the course, which is an area called “Fat Chuck’s.”  But the rains this week made that section too muddy to ride.  Kudos to the rain gods for actually making the course a little easier.

Mountain bike racing lesson from today:  Slow but steady….means you’ll finish way near the back.

 

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