Category Archives: Photography

Iran: The Islamic Republic

#8 in a series that started here.

Two ladies show up to pray at the Pink Mosque in Shiraz.


Aramgah-e Ali Ibn Hamzeh Shrine in Shiraz. The interior is a mosaic of tiny mirrors.


An informal mosque. When we peeked in the door during a service, someone rushed out to encourage us to come inside. Men and women were separated by a drape, and I could only go on the men’s side. There about 150 women, and about 8 men, including this very friendly guy. Of course, they brought out tea and cookies.


Imam Zadeh Saleh Shrine and Mosque in Tehran. Iranian Muslims spend a lot of time paying tribute to martyrs.


Images of Iran’s original Supreme Leader, the “Ayatollah” Ruhollah Khomeini, and its current Supreme Leader Ali Khamenei, are everywhere.

One of the first sights I visited in Iran was a perfectly preserved and functioning 17th Century Armenian Christian church, the Holy Savior Cathedral – complete with crosses and elaborate paintings of Christian crucifixion and nativity. During the trip, I saw reproductions of The Last Supper (DaVinci’s painting of Jesus and his twelve disciples) in multiple public places. I also saw large monuments and relics from Zoroastrian groups (an ancient monotheistic religion) that were prominently preserved and protected. My assumptions about how other religions fared in the “Islamic Republic of Iran” were wrong — or at least incomplete.

Unlike the radical Sunni ISIS movement, Iran’s leadership has not generally destroyed monuments or culture of other religious groups.   The ancient Persian-Iranian imperial hero Cyrus the Great was known for his tolerance of the diverse practices of the people he’d conquered, and Iranians seems to take some pride in that example. The Republic’s Constitution sets aside five Parliament seats specifically for the country’s minority religions (Armenian and Assyrian Christians, Zoroastrians, and Jews), whose small numbers would otherwise leave them wholly unrepresented.  

Make no mistake: Non-Muslims make up maybe 2 percent of the population. And the flip-side of those 5 reserved parliament seats is that the other 285 seats are effectively reserved for Muslims. Other minority religions – notably the Bahai and Sufi — are not recognized and thus effectively prohibited. In several ways, followers of the minority religions are treated as second-class citizens – affecting, for example, their ability to hold most public offices or inherit property. The recognized Christians in Iran are almost exclusively members of distinct ethnic groups who conduct their services in their own languages (not in Farsi), and thus they pose little risk of converting Iranian Muslims to their faiths. (According to the U.S. State Department, such conversion is still theoretically punishable by death.)

Iranian hostility toward Israel can be strong. Israelis are not allowed into Iran, and we (Americans) were told that if our passports even included a stamp from a prior trip to Israel, we would not be allowed into the country.  Surprisingly, at the huge National Museum of the Islamic Revolution and Holy Defense in Tehran, there was an exhibit – complete with respectful images of Jesus and Mary and the Jewish Star of David — giving tribute to members of the “minority religions” and their contributions in the Iran/Iraq war.   But just outside, the Star of David (as a symbol of Israel and/or Judaism) was part of the conspicuous label for the trash cans.

This Zoroastrian structure near Isfahan looks ancient, but it’s only a few hundred years old. It’s for ceremonial cremations — sort of.  Zoroastrianism is one of the recognized minority religions in Iran.

Imam Zadeh Saleh Shrine and Mosque in Tehran

The shrine to the Ayatollah Khomeini, on the south end of Tehran. He’s been dead nearly 30 years, but it’s about half finished. It looks like a combination of 1/4 Vatican; 1/4 Galleria Shopping Mall; 1/4 Trump Taj Mahal; and 1/4 real Taj Mahal.

A notice in the airports warns women that the Islamic dress code is mandatory.

Many hotel rooms had arrows like this. They point toward Mecca so Muslims know which direction to face when saying their prayers.

A version of Leonardo da Vinci’s “Last Supper” on the wall of a diner-style restaurant in Shiraz.  [Muslims believe that Jesus existed and that he was a great prophet, perhaps second only to Muhammad. Though they don’t believe in a crucifixion and resurrection in exactly the same way Christians do, they do believe that Jesus ascended to heaven and that “it was made to appear” to the Romans that Jesus was being killed by crucifixion.  The Quran makes reference to an important meal that Jesus had with his disciples, though it’s not clear that the timing of that meal was necessarily on the eve of his death (as Christians believe about the “Last Supper”).  So Muslims might quibble about whether Leonardo’s painting was necessarily the “Last” supper, but they’d otherwise believe and agree with its general content.  That doesn’t fully explain why it’s the sole religious image on this diner wall in Shiraz, but remember that images of Muhammad are generally prohibited.] 

Elaborate paintings of the Christian Nativity in the 400-year-old Armenian Holy Savior Cathedral in Isfahan.

Smartphones at the tomb of the 14th Century Shirazi poet Hafez.

The Khomeini Shrine



These graphics were on each of the dozens of trash cans outside the Museum of the Islamic Revolution and Holy Defense in Tehran. Somehow the Jewish/Israeli Star of David deconstructs into bombs, which then drop into a trash can. I wasn’t able to get a real explanation.





Iran: Deserts, Shepherds, and the Power of a Swift Smack to the Shin


If you want to see the sights of Iran, you’ll spend a lot of time traveling through the desert.  But sometimes, the desert itself is the attraction — both for striking scenery and interesting folks.   I spent one night in a small town in the scrubby deserts, one in a mountain village, another at the edge of a vast sand-dune-and-rock-mesa desert, and another in a hillside tent with with a few dozen sheep and goats penned up 15 feet away.


Sunrise in the Lut Desert. Its precise location is “a long damn ways from the major cities of Iran.” It goes on like this for a hundred miles or more. The things you see in the background are natural (not man-made), and most of them are less than 100 high and easy to climb.  In this area near the highway, it was tough to keep the dune buggy tracks out of the picture.

“Modern” nomadic shepherd/goatherd Ali Mardon-loo, left, with his son, Bahram.

Kids bathe while dad stomps the laundry. A spring-fed canal through an old caravansarai in Shafiabad, near the Lut Desert.

Mother and daughter, in the small town of Chupanan.

Vehicle tracks went everywhere in this part of the Lut Desert

Ali Mardan-loo, my nomadic sparring partner turned friend-for-life. I get a B-minus for this portrait: his herd of sheep and goats are on the hillside behind him, but I didn’t have my lens set correctly (this is f4.5 at 120mm) so the distant flock is too blurry to be recognized. I fixed it in other versions of this picture, but Ali’s facial expression wasn’t as good.

A dry lakebed near Chupanan.


A high point of my trip through the desert was a stay with a family of traditional nomadic shepherds.  I guess they’re “modern traditional” shepherds, because they actually owned a small car, but their primary lifestyle was one of sheep and goats and tents and meals cooked on campfires as they moved their herds cross country for seasonal grazing.  At night, nine of us slept side-by-side-by-side in an open-sided tent about 30 feet by 10 feet. 

The patriarch of the group was Ali Mardon-loo.  Ali was about my age; his two sons were helping out with the herds and with his American guests while his wife cooked a mountain of 18-inch round flatbreads over an outdoor campfire.  Ali spoke Turkic — not Farsi as most Iranians speak, and certainly no English.  One of his sons could translate from Turkic to Farsi, and our guide could translate Farsi to English.  His other son — who’d been sent off to boarding school at age twelve — spoke all three languages and could translate directly.

I saw Ali and another herder briefly playing a game using their shepherd staffs  — a lot like our sport of fencing, except that it’s all below the waist and the goal is just to whack your opponent in the shins.  He said something to his youngest, who looked at me and said “He’s looking for a challenger if you will play.”  Uh-oh.  I figured I was about to get whacked, but I had one shred of hope:  I took a semester of fencing when I was in college and it seemed like maybe some of the basic principles would translate to help me survive a round of Turkic Nomad stick fighting.

 For better or worse, within a minute or so, I delivered a smack to Ali’s shin.  I guess I’d “won,” but given my inexperience, I hadn’t gauged well how hard or fast to go.  It made an awkwardly loud noise.  I was mortified that I’d just whacked and maybe injured our gracious host, but after Ali hopped around and recovered for a minute, he smiled ear to ear and shook my hand.  For the rest of the evening, we were buddies (notwithstanding the zero overlap in our language capabilities).  At dinner, he sat across from me and declared to everyone that we were best friends.  He kept putting more and more food on my plate.  He gave me a bracelet his wife had hand made, and ceremoniously announced that he was giving me a lamb (apparently this is a high honor, but Happily a only symbolic one; I never had to take custody of any ovine.)  He dubbed me an honorary member of the Mardon-loo clan, much to the amusement — and exclusion — of his other five American visitors.  Never again will I underestimate the bonding potential of a good whack in the shins.  

Me and Ali. He’s posing with his rifle — a prized possession usually prohibited in Iran. As a shepherd, he’s allowed one gun to fend off wolves. I’m wearing the bracelet his wife made. Everyone kept suggesting that he and I looked alike??


Ali, moving the flock

Sunset in the Lut Desert

Sunrise in the Lut Desert



A friendly face in Pereshkaft village near Shiraz, Iran. This old guy was sitting with a buddy on the roof of a hillside house, watching the sunset.  They seemed like they were eager to share all kinds of stories with us, had we spoken a common language.  Women in this village were very reluctant to be photographed; one of them told us she’d like to but her husband wouldn’t approve.

View from the hill overlooking Chupanan. Those things on the tops of most of the houses are “wind towers,” which channel some of the breeze into the house and vent out hot air.

Iran: Azadi Tower at Night

It was originally called Shahyad Tower — built in honor of the kingly “shahs” of Iran.  So now, since the Islamic Revolution that ousted the last Shah, it’s been renamed Azadi — “Freedom” — Tower.  Built in the 1970s, it doesn’ t have a lot of history, but its design is pretty spectacular.  Notice the blue tile rib vaults underneath the arch — a colorful nod to Persian architecture from earlier eras.


5:32 p.m.

5:35 — looking west toward where the sun had set 29 minutes earlier.

5:38 p.m.


5:23 p.m.

Here’s a photo lesson for big outdoor monuments or buildings that have a little lighting on them. There’s a point in time — about 20 or 30 minutes after sunset just before it really gets dark, when the sky turns a deep blue.  There’ll be a magic few moments when the light in the sky balances just right with the light on the structure. 

Sunset this night was at 5:06.  I put the exact times for each photo in the captions, so you can see how the sky progressed.  The prime time only lasts about 10 minutes, so it’s wise to arrive early and scout out your best locations and angles, then rush back to them to get the images you want when the light is perfect.  The exact timing and exposures depend on the brightness of the lights shining on your foreground structure, and on whether you’re facing the west (the setting sun) or not.   Shutter speeds will probably be rather slow, so remember to (a) get a firm footing, (b) brace your elbows against your body, and (c) hold the camera very still, and (d) take several shots in a row to give you a better chance of having one good, clear one.  One caveat: If you’re hoping for someone or something interesting to wander through your frame, you’ll just need to get lucky because the window is short. 

A warning:  After a pretty sunset and before this magic moment, there’ll be 20 minutes or so that are “blah” and gray.  Don’t give up.  Be patient.  

At this magic moment, everyone can be a master photographer.   Mediocre  locations turn lovely, and already lovely places turn stunning.  Examples are here and here and here and here

5:12 p.m. — about six minutes after sunset.  Notice that the monument is still mostly darker than the sky.


5:28 p.m.


5:46 p.m. , and the blue was turning quickly to black.


(There’s a similar opportunity about 30 minutes before sunrise, of course.  It often requires a little more dedication to be up and in position for that one, if it’s possible at all.  For better or worse, there probably won’t be many other people around.)



Iran: Blue Tiles of Isfahan

In the time period roughly between Christopher Columbus and George Washington, early-day Iranians were on the other side of the world doing some pretty impressive things with blue and yellow tile.  The city of Isfahan was the capital of Persia during the Safavid Dynasty in the early 16th to 18th Centuries.  Today it still shows off some of Iran’s greatest architecture.

Domed ceilings of the Lotfallah Mosque (gold, below) and Shah Mosque (blue, above). The Shah Mosque’s blue dome is 150 feet high.

Four hundred years ago, the Lotfallah Mosque was reserved exclusively for the ladies of Shah Abbas’ harem. But today even gawking Americans can go inside and get some pictures of its amazing golden dome. Lotfallah anchors the east side of Naqsh-e Jahan Square (aka Imam Square) in Isfahan — the second largest public square in the world (behind Tienamen in China). Just as it did back then, the square also has a king’s palace on its west side, a grand public mosque on the south end, and the city’s Grand Bazaar to the north, though the 17th Century polo field has been replaced by sidewalks and fountains. The whole place is a UNESCO World Heritage site, and rightly so. The big Shah Mosque is all blue, and it’s arguably the most impressive piece of architecture in existence from that era.

Isfahan has a population of about 1.5 million.   In the 16th and 17th Centuries, it was the capital of Persia and headquarters of the Safavid Dynasty.   It’s been a center for rug making and trading and other elaborate artisans ever since. I bought a couple of smallish rugs myself and hauled them back to America.

 As you’ve probably noticed, a huge portion of the decorative tile in Iran is blue. “Why all the blue?” I asked.  I got three different answers, and I assume each one is partly true. #1: Because minerals were available in the area’s mines (cobalt and arsenic, for example) that were great pigments for making lovely blue and yellow ceramic tile. #2: Because blue is the color of heaven (Apparently they know this somehow). #3: Because water is blue, and when you live in the desert water is a very big obsession.

In that vein, there  were a couple of famous bridges in town I was looking forward to seeing. But it turns out that late October is part of the dry season in the deserts of Iran. The river had not a single drop of water, so the bridges looked a little odd.  Too bad they didn’t cover them with blue tiles.

You can take a carriage ride around Naqsh-e Jahan Square. (And no, that’s not a normal mode of transport in Iran; they seem to mostly just drive small white cars.)


Restoration work on the blue dome of the Shah Mosque.

Lotfallah Mosque at night. It’s unusual because it has no minarets for a “call to prayer.” They weren’t needed because the mosque was private — reserved for the Shah’s family and harem, apparently.



The Jameh Mosque of Isfahan, mostly hidden in the Grand Bazaar and overshadowed by the fancier mosques on the Square.  Jameh was built in bits and pieces over the course of 1200 years.


Allahverdi Khan Bridge (aka the Bridge of 33 Spans) was built in 1600. At other times of year, water flows through all those spans — which would surely make for a better picture!  The bridges are a popular hangout for old and young.  One group of young ladies insisted I join them for tea before I could take their pictures.  I wasn’t sure if the old guy below was responsible for that geometric figuring on the column he was leaning against.  But I doubt it.


Water spigot at an old Isfahan public bath-house.

Spiral stairway in the Ali Qapu Palace on the big square in Isfahan.  Shahs and Sultans have been climbing these stairs (often for a better view of the polo games below) since the late 1500s.


Iran: Chadors and Other Bazaar Sights

(Forgive me:  I can’t resist the appeal of the bizarre/bazaar pun.)

Merchandise on display at women’s clothing stores gives a hint of what’s under all those long black chadors.

They do have a few shopping malls and supermarkets in Iran, but mostly people buy their “stuff” in bazaars and small shops. Different sections tend to specialize in certain types of goods – one area will have vegetables or fish, another spices or hardware, and others focus on textiles or clothing. If you want to see and interact with real people in Iran, you’ll probably head for the local bazaar.

But the bazaars aren’t just retail shops; behind the scenes is wholesaling, warehousing, and even some of the manufacturing or cooking. The Grand Bazaar in Tehran is said to be the hub for a huge percentage of commerce in the whole country.



A young merchant in a Tehran bazaar, right, selling cooked beets to chador-clad female customers.  


Fruits and vegatables at a Tehran bazaar.


Most bazaar merchants are men, even in shops where most customers are women.



Many bazaars are historical sites. If you can see past the bright lights, the brightly colored fabrics and the vegetables, you sometimes see, you can see the old facades and ceilings that are hundreds of years old. Often, just around a quieter corner you’ll see a rug warehouse or an ancient “caravanserai,” where camel caravans once paused for he night or arrived with goods to sell at the bazaar.


Mother and baby at sidewalk fabric shop in Shiraz.


One consistently striking feature of the bazaars is the women’s clothing on display. Modern tight jeans, lavish colorful and sequined gowns, stilettos, racy lingerie – all being browsed (and presumably purchased) by ladies who only go out in public wearing head-to-toe black chadors. There’s a lot going on behind closed doors (and under those robes and scarves) that doesn’t meet the outsider’s eye.


A stylish young woman in Shiraz, showing off an unusual Iranian status symbol: the nose-job bandage.

It’s the law in Iran that when women go out in public, they have to wear at least a headscarf and something that’s not form-fitting that covers them down to the thighs or so.   Since women can only show their faces and bangs, they sometimes go to way too much trouble to optimize the parts that show. Nose-jobs are very common, and women with fresh ones wear the bandages in public as a status symbol.   Many women wear LOTS of makeup, too, or coif their exposed bangs to the point of absurdity.   And those black chadors may look generic, but stroll through the bazaar and you’ll see hundreds of different styles and types of black fabrics on display with patterns and sequins.

I asked several people: If they put the head-scarf law up to a public vote, how would it come out?   Most guessed that it’d be close to 50/50 or 60/40 overall, with women somewhat more likely to vote anti-scarf than men. It was interesting that they thought it was this close. And the reality was that in most areas, the women were going well beyond what any law actually required – wearing the full head-to-toe, mostly-black chadors rather than simple scarves and thigh-length coverups. Whether that’s their real preference or the product of family or cultural pressure is hard to know.

I also asked: What happens if you violate the rule? Apparently the police take you in and give you a ticket, and require you to sign something pledging not to do it again. So I asked: What happens if you do it again? Nobody seemed to know.

If it makes you ladies feel any better, there are restrictions on men, too. We can’t wear shorts. With some exceptions for organized team sports, shorts in public are not an option for men or women, even if you’re going for a jog (which hardly anyone seemed to do, maybe for this reason). Remember, Iran is mostly a desert and summer temperatures reach well over 100 every day, so a no-shorts rule is a pretty big deal.  Whatever you think of Iran’s clothing rules, it would not be accurate to presume they’re all about oppressing women.

Decades ago, before the Islamic Revolution in 1979, the Shah (king) wanted Iran to be (or seem) more mainstream and Western. He actually prohibited the chador head covering. That prohibition was even more unpopular than the current chador mandate.  People wanted the scarves, and the Shah’s efforts to “modernize” are said to be some part of what fueled support for the Islamic Revolution – which ousted him and put a Muslim Ayatollah in charge of the country’s dress codes. It’s too bad nobody thought to choose a middle path where everyone could do whatever they want with their headgear!   (Admittedly, though, our own country has a tough time choosing libertarian middle paths these days, too.)

One last, goofy thought: In America, we also have rules about which body parts must remain covered and which are okay to reveal in public. There are cultures elsewhere on earth that have different and more-revealing rules (exposing women’s breasts, for example). Those people probably think our rules are horribly restrictive, oppressive and silly – just what we tend to think about Iran’s. Our defense of our own dress-code choices would probably sound a little like Iran’s defense of theirs.


This guy’s very typical bazaar store is about 8 feet wide.